After a couple of long months of nothing in the theaters but the shittiest imaginable movies, in that yearly no-man's land between Oscar season and Summer blockbuster season, there are finally, finally movies worth seeing again. (Seriously Hollywood, get it together.) And instead of saving them up and making them last, we went and saw all of them at once this weekend. You should see them too, and here's why:
Muppets Most Wanted
Dir. James Bobin (107 mins.)
I feel the exact opposite way about muppet movies that I do about Charlie Brown/Peanuts movies. That is, I wish they had stopped making Peanuts movies/TV specials 30 years go (sorry, not sorry). Do we really need anything more than A Charlie Brown Christmas and It's the Great Pumpkin, Charlie Brown? NO. We do not. Those two are great, and they're plenty enough. Everyone can live without the other stupid specials where the voices are all wrong and every character but Snoopy seems to be suffering from sever depression.
The Muppets, on the other hand, are. always. perfect. There is nothing not to like about the Muppets. The songs are yes. The celebrity cameos are yes. The jokes are yes. They're silly enough for kids and sarcastic enough for adults. And most sane humans have not one, but at least two or three favorite muppet characters. My favorites are Fozzy Bear, Rolf, the Swedish Chef's chicken back up dancers, and Pepe the shrimp.
The newest Muppet movie is better than the last one, which was good but not muppety enough. It spent a lot of time on Walter and on Jason Segel (though the Jim Parsons cameo was pretty much amazing). This new movie is extremely muppety and, on top of it, has Tina Fey in it and makes fun of Europeans a lot. What's not to love? Bonus: I sort of wish Ty Burrell and Sam the Eagle would have their own "True Detective" style HBO series. I would watch the hell out of that.
Divergent
Dir. Neil Burger (139 mins.)
The past few years have been amazing for people who love YA fiction and also movies. Apparently there are a lot of us, because the genre of "movies based on YA novels" gets bigger and bigger every year. And, if you can believe it, not all of those movies have been about dystopias or vampires. (But this one is though. Dystopias. Not vampires.)
Cheater review: If you liked the book, you will almost certainly like the movie. Some things are changed (of course) but it's pretty faithful and fun to watch translated from page to screen.
Real review: Some of the dialogue is cheeeeeeesy and some of the "meaningful pauses" are overdone, but given the genre, that's not really a surprise. Anyway, you can ignore that because the action is fast paced, the actors are good looking, and there's nothing in the movie that will make you groan in pain (I'm looking at you, Twilight and Beautiful Creatures). Also, the most unexpectedly awesome person in the movie? Ashley Judd. Hands down. Also, Miles Teller, who has sort of a crap part in this movie, but whom I sincerely hope becomes hugely famous soon.
The Grand Budapest Hotel
Dir. Wes Anderson (100 mins.)
I highly recommend listening to this interview from NPR before going to see this movie. I also recommend seeing this movie in the theater rather than waiting for it to hit Netflix. I feel like this is true of most Wes Anderson movies: they're still good on TV, but they lose a lot of their ambiance and charm. They deserve to be big. This movie in particular has a handful of scenes that should absolutely been seen on the big screen.
This is, actually, my favorite Wes Anderson movie since The Royal Tenenbaums (in case you're keeping track, I hated The Darjeeling Limited so much I never finished watching it). It's funny from beginning to end, but also very touching. Every single person in the movie seems like they were absolutely made for the part they play (including some of the cameo spots) and, as is standard for a Wes Anderson movie, the sets, costumes, colors, music, and lighting create a totally unusual and fantastical world. This movies reminds me of one of those books you read that you can't really explain to anyone: you love all of the characters and everything is so fantastically weird that it just fits.
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